The Ouija Board Bigfoot—A True Story by Nick Redfern w/Links…

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Charles Ford Photography.

Laura Carter was thirty-six, lived in New York, and was employed by the Post Office when I interviewed her in 2007. She related to me the details of a distinctly odd and unsettling series of occurrences that took place back in mid-1985. On one particularly warm summer’s night, Laura said, three of her friends had come over to visit. Her parents were out of town, and so the girls planned to have an evening hanging out, playing music, drinking, and and generally having a fun time.

At some point during the night, the discussion turned to horror-movies, ghosts, spooks and specters, and the four girls decided to experiment with an old Ouija Board. As Laura admitted to me, none of them were seriously frightened by the board or the possible implications of what might transpire – in fact, they had no real idea at all how to even use the board, apart from “what we had seen in horror movies,” added Laura. But, like teenagers everywhere, they found the idea of “playing with the Ouija Board while my mom and dad were out” to be great fun and immensely exciting. However, what initially started out as nothing more than a bit of late-night joking around quickly changed into something far darker and much more disturbing.

Largely improvising, as a result of their lack of any real knowledge of how to use a Ouija Board, the four did their best: relying on familiar Hollywood imagery, they pulled a wine-glass from a kitchen-cupboard, placed the index-fingers of their right hands atop it, and were soon immersed in their planned bit of fun. Questions about boys, when they would marry, and attempts to contact dead relatives followed – all to no avail, perhaps inevitably. However, said Laura, something decidedly odd did occur: on two occasions, the electricity went off – which scared the living daylights out of the four friends. Not surprisingly, one might argue, taking into consideration their actions with the Ouija Board.

Laura explained further that everyone got a weird vibe when the power failed. And even though nothing else of an untoward nature occurred that night, it was all too late, the damage was done, and a doorway was unwittingly, and ominously, opened. For reasons that, Laura admits, to this day she cannot really explain nor understand, a feeling of fear and apprehension came over as the next day progressed, and afternoon became early evening – and after her friends had all returned to their respective homes. Once again the electricity failed – around 6.00 p.m. – and the dark, foreboding feelings began to take an ever-stronger hold on Laura’s mind. And so, after eating a hastily-made sandwich, she decided to retire to the comfort and (so she thought, at least) safety of her bedroom.

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Sasquatch Ouija Board.

Later that night, however, Laura was woken from a deep sleep in the early hours, and heard what sounded very much like a loud, yet disturbing, animal-like “scream” emanating from the vicinity of a small, but densely-packed, area of woodland that was situated at the rear of the family home.

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“Hey, anyone remember that old TV show, Candle Cove?”

Mike Painter: “I was wondering if I could take a look at those files.”

Sheriff: “May I ask why? It’s been 28 years since they dragged those kids out of the woods.”

Mike Painter: “Yeah. Missing all their teeth.”


Will Wiles of Aeon wrote that Candle Cove was “among the best creepypastas out there” and a good example of using the messageboard and forum format as a storytelling tactic. The Verge has written praise for the creepypasta, stating that it was “a perfectly dark spin on our nostalgia for the half-remembered stories of our childhood, that realization that the things we liked as kids were much, much creepier than we thought.” It was made into the Channel Zero SYFY-Channel series in 2016.

Read about Creepypastas, here:

https://io9.gizmodo.com/is-creepypasta-a-form-of-folklore-1495902436

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“Thirteen Ways of Looking at a Blackbird”—A Poem by Wallace Stevens

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(Image: Sanatli Bi Blog)

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

– Wallace Stevens
(from The Collected Poems of Wallace Stevens, 1954)

Laurie Strode Is Back! Rue Morgue Magazine #183…

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Halloween. He’s Still Coming Home…

I am Laurie Strode

Jamie Lee Curtis returns to the franchise that launched her career and shares insights into the character who has been tied to Halloween’s iconic Boogeyman for 40 years. Plus! Halloween director David Gordon Green and co-writer Danny McBride rethink horror’s defining franchise and a new look at Michael Myers’ trademark “William Shatner” mask.

The wait is over, RUE MORGUE #183 Jul/Aug 2018 issue is finally here! In it, the First Lady of HALLOWEENJAMIE LEE CURTIS, talks to us about her return to the franchise that launched her career and shares insights into the character who has been tied to the film’s iconic Boogeyman for 40 years.

Read more, here…

https://rue-morgue.com/the-boogeyman-is-back-in-rue-morgue-183-jul-aug-2018-issue/

Détail de « Dante et Virgile » par William-Adolphe Bouguereau (1850)

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(classicarte/Tumblr)